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Jan Ozer

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I help companies train new technical hires in streaming media-related positions; I also help companies optimize their codec selections and encoding stacks and evaluate new encoders and codecs. I am a contributing editor to Streaming Media Magazine, writing about codecs and encoding tools. I have written multiple authoritative books on video encoding, including Video Encoding by the Numbers: Eliminate the Guesswork from your Streaming Video (https://amzn.to/3kV6R1j) and Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (https://amzn.to/3ZJih7e). I have multiple courses relating to streaming media production, all available at https://bit.ly/slc_courses. I currently work as www.netint.com as a Senior Director in Marketing.

Three Premiere Pro Tips-A Video Tutorial

This video tutorial illustrates three tips that will enhance your workflow and get you out of some editing jams in your Adobe Premiere Pro projects: editing audio without unlinking; Fill Left and Fill Right to create stereo audio; and creating nested sequences for smoother edits and creating reusable set pieces in your projects.

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Choosing an Enterprise Encoder

Gave a presentation today to the Adobe Media Server Users group on choosing an enterprise encoder. To view the presentation itself, click here. You can download the 50+ page handout below. Here’s a description of the presentation. This session will discuss factors to consider when choosing enterprise video encoding systems from the likes of: Digital Rapids, Elemental, Harmonic, Sorenson, and …

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YouTube uses FFMPEG for encoding

I guess for many producers, the title is akin to “there is no Santa Claus,” or “the Republican Party’s top priority is reducing taxes for the one-percenters who fund their PACs;” obvious facts, and just not news. On the other hand, for many other producers, confirmation that YouTube uses FFMPEG might mean that they should take a closer look at …

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Livestream Goes Completely Ad-Free, Even for its Free Service

Today, Livestream announced that all tiers of service on the new Livestream platform will be available on a completely ad-free basis immediately, including the free version. The company also pre-announced a new tier of service that will enable of liv

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Configuring low data rate adaptive streams

When you configure a group of adaptive streaming files, you produce some files at relatively low data rates. With these files, you have several options to preserve quality, including lowering the resolution, the frame rate or both. Lower resolutions preserve frame quality but can look pixelated when scaled for display. Higher resolutions avoid scaling artifacts, but frame quality can suffer. …

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Sorenson Announces Sorenson Squeeze Premium

On Monday, Sorenson Media announced the immediate availability of Sorenson Squeeze Premium for $1,995. What is it and how does it fit into the Squeeze Product family?

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Livestream Doubles Down on Hardware with Studio HD500

Yesterday Livestream announced the $8,500 Studio HD500, a luggable portable computer with five HD/SD SDI inputs and five video outputs with software providing real-time preview for all inputs, transitions, DDR playback, graphics overlay and a full au

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Brightcove Announces Live Cloud Transcoding and Instant Play

In separate announcements at IBC, Brightcove announced two new products from its recent acquisition of Zencoder -- Instant Play and LIve Cloud Transcoding -- and the availability of Widevine DRM encryption and packaging within its Video Cloud platfor

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Who Still Uses Flash Video? Just About Everybody

So there I was, a chapter due on my next book on live streaming, and a column due for Streaming Media. Which to tackle first, I pondered.

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The 2012 Encoding and Transcoding Buyers’ Guide

The streaming media encoding universe has evolved into a complex space with multiple, often intersecting markets. In this overview article, I'll identify the most critical market segments and discuss one or two key products within each market.

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