Tag Archives: Shooting for streaming

I recently tested a bunch of webcams and video cameras to find the optimal camera for single person webinars. I produced a webinar on the topic, which you can view here, and see the output from the various tested devices. I also wrote an article on the topic, which is now live on the Streaming Media Producer site. If you’re …

Whenever I shoot a live performance, I have an internal debate about which functions to perform manually and which to let the camera perform. Obviously, the panning and zooming is my job; the question is whether I also take on focus and/or exposure. I shot my fifth Nutcracker season just before Christmas, which adds up to about 20 shows total, …

Five best practices for producing high-quality video. Anyone who’s ever picked up a camcorder and tried to tap into their inner- Spielberg knows that there’s a lot more to creating a high-quality, impactful movie than turning on the camcorder and pressing the red record button. The same is true with producing video for streaming. Corporate meetings are often recorded and …

If you want fast or slow motion in your video (like slowing this spinning ballerino), you have two choices: you can adjust the speed in your editor, which can produce interpolation artifacts, or you can adjust the frames per second captured by your camcorder, which should deliver higher quality. If you choose the latter approach, there are three components to …

From an article that I wrote in AV Technology that you can read here.

how to limit motion during shooting and editing to improve streaming quality

This article is a drama showing just how far a man will go to prove that he’s right (or perhaps, not wrong). What’s in it for you besides the guilty pleasure of reading a desperate nail-biter? It’s called stealth learning. Hidden in the suspenseful plotline are some invaluable lessons about shooting for streaming, ways in which different timeline presets can …

This article illustrates when and where you can optimize quality by shooting in progressive rather than streaming mode.

To produce professional video on a budget, you need to master various visual and technical arts. But you also need to become a master of illusion, especially if you’re working as a crew of one. Here we explore the art of the single-camera shoot, and insert-editing techniques that will ensure that you have all the angles covered. Whether you’re a …