I just finished my H.264 vs. WebM Bakeoff presentation – you can download the PDF below. You’ve heard the hype about VP8, but how does it really compare to H.264? This session compares quality, encoding speed, and playback requirements. It also details access to VP8 encoding from within live and on-demand encoding tools, the availability…
DetailsHere’s the description of the presentation that I just gave at StreamingMedia West. You can download the PDF below. Enjoy! This seminar focuses on producing H.264 video for streaming or progressive download. It starts with a deep look at key H.264 encoding parameters like B-frames, profiles, and levels and how to customize encoding parameters for…
DetailsHere at StreamingMedia West in Los Angeles this year (November, 2010) – same crowd, different location. I taught one seminar on H.264 Production for Streaming and Progressive Download, you can download the PDF here. You can find a few items of interest there; two tables showing H.264 playback statistics on Mac and Windows computers, and…
DetailsMicrosoft Silverlight has been very noticably used by NBC (Olympics/Sunday Night Football), but never achieved the penetration necessary for smaller businesses to adopt it. The thing is, while the sizzle behind Silverlight has always been video (as with Flash), the steak has always been Rich Internet Applications, and more specifically, the tools that developers use…
DetailsHere’s a copy of the release that you can find here. HTML5 has received a tremendous amount of buzz, much of it driven by the potential for plugin-free video. However, the limited browser support for the HTML5 <video> tag has forced web designers to scramble for a solution that would work across platforms as well…
DetailsI gave two presentations at Streaming Media Europe last week, one a three hour presentation on producing H.264 for Flash, Silverlight, QuickTime and HTML5, the other a 30 minute short course on producing H.264. Both presentations are attached hereto. Here’s the agenda from the longer presentation. Most notable are new performance stats that I collected…
DetailsHere’s how it starts. So there I was, struggling for an idea for a column, and editor Stephen Nathans-Kelly mentioned that there was growing interest in distributing HD event-based videos to clients over the internet. Fortunately, this dovetailed well with some research that I recently performed, so here we are. If you’re considering distributing some…
DetailsSo there I was, struggling for an idea for a column, and editor Stephen Nathans-Kelly mentioned that there was growing interest in distributing HD wedding videos to clients over the internet. Fortunately, this dovetailed well with some research that I recently performed, so here we are. If you’re considering distributing some or all of your…
DetailsArticle just posted at Digital Content Producer. I got an early look at Telestream’s completely new Episode 6, with a hot new interface, and improved H.264 quality and performance. I also looked at Squeeze 6.5, which didn’t really update any H.264-related features. …
DetailsIf you’re shooting in 24p, you should deliver your projects in 24p. This sounds obvious and simple, but it can get surprisingly complex depending upon your choice of encoding and authoring tool. I just spent 2 weeks comparing MPEG-2 encoders, and I saw a surprising difference in quality and ability to deliver 24p footage that…
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