I’ve been tracking Scalable Video Coding (SVC) for the last year or so and there’s been little tangible evidence of adoption. Recently Toronto-based Seawell Networks came out of stealth mode, but only barely, announcing that they are in the H.264 marketplace, but providing no product details. I met company CEO Brian Collie at a trade…
DetailsXiph, Ogg and Crossing the Chasm When comparing Ogg Theora to H.264, most reviewers have focused solely on video quality. But that’s only a small component of what it will take for Ogg to achieve mainstream success. I just finished my first foray into encoding Ogg Theora and I have to say that I was…
DetailsA few weeks ago, I published an interview with MPEG LA CEO Larry Horn on the patent group’s decision not to charge for free content encoded with H.264. Then I got a note back from a reader who stated: I’m disappointed. The interview seemed to be pretty powder puff. Why not ask the harder questions,…
DetailsSo, I was doing some consulting work for a client who’s currently encoding with the x264 codec. Part of the work involved benchmarking their current quality against other encoding tools I have around the office, so I downloaded the x264 QuickTime Codec (Mac) from Softonic, which was the tool used by the client. Briefly, after…
DetailsI recently posted an H.264 vs. Ogg comparison, which you can see here. https://streaminglearningcenter.com/articles/ogg-vs-h264—round-one.html I got lots of good feedback and am in the process of reworking my tests, primarily (I hope) to use a more recent codebase that wasn’t shipping when I did my testing. In the meantime, another comparison was released on February…
DetailsFive best practices for producing high-quality video. Anyone who’s ever picked up a camcorder and tried to tap into their inner- Spielberg knows that there’s a lot more to creating a high-quality, impactful movie than turning on the camcorder and pressing the red record button. The same is true with producing video for streaming. Corporate…
Details[Author’s note: In early May, Apple opened the API for Adobe to access the GPU for H.264 acceleration from within Flash. Click here to view details and some early test results.]In part, Steve Jobs stated that the iPad didn’t support Flash because it was a “CPU Hog,” so Apple used a technology called HTML5 instead.…
DetailsLisa Larson-Kelly and Jan Ozer will host the Streaming Production and Flash Delivery Workshop on March 23, 2010, at the Fashion Institute of Technology in New York City. The workshop will feature two tracks, Streaming Production and Flash Delivery, each comprised of two ½ day courses. The workshop courses detail the complete streaming production and…
DetailsLate last week, Google closed the On2 acquisition that they started in 2009, and now owns the VP4 – VP8 video codecs. At the time, there was much debate about Google’s intent, now most analysts assume that Google bought On2 to open source the codec and let it serve as the basis for the video…
DetailsSummary: This article is presented in reverse order, newest on top, oldest on the bottom. I’ve briefly summarized the goal and procedure, but you can read from the bottom up to get the background. Briefly, the goal of the exercise was to compare the quality of Ogg Theora with H.264 using two test files —…
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