Here’s the class description; download link below. With the speed of technology today, one of the most important parts of software is adaptability. By taking control of your own encoding and packaging, you can greatly reduce cost and maintain high adaptability and agility to meet your needs now and in the future. When working with…
DetailsThis post provides an introduction to live streaming, particularly the technologies and services involved in producing, packaging, delivering, and playing live streams. It’s designed to help those new to live streaming to understand what live streaming is and the technological options available for producing it. If you’re new to live streaming and need to get…
DetailsThis week’s lesson is an updated lesson for my course, Computing and Using Video Quality Metrics: A Course for Encoding Professionals. The agenda is shown in the YouTube frame. The lesson starts with an overview of rate-distortion curves and BD-Rate functions, what they are, and how you create them. Then I get into a pet…
DetailsI’m teaching two boot camps (virtually) at an upcoming Streaming Media Connect event, one for VOD and the other for live streaming; each costs $199. The courses are designed for newbies who need to get up to speed quickly on these topics. If the courses sound familiar, I taught both courses at Streaming Media West…
DetailsAnnouncing a free webinar on Thursday, January 28th at 2:00 PM EST. This webinar is designed for Wowza Streaming Engine (WSE) users who are adding digital rights management (DRM) to their live or VOD streams. It provides the technical background to understand how DRM works in the HTML5 environment and which DRM technologies are needed…
DetailsWhen I launched my online course, Streaming Media 101: Technical Onboarding for Streaming Media Professionals, one of the first companies that signed on for multiple students was Dolby Laboratories, Inc. Several students came from the Enterprise Encoding division, which is headed by Senior Director David Trescott. This is the group that created the Hybrik encoding…
DetailsAdoption of MPEG-2, H.264, and HEVC was almost automatic in some markets because implementors assumed that royalties would be reasonable and that the codecs would succeed. Two factors have changed those assumptions; the HEVC royalty mess and the formation of the Alliance for Open Media. This short video details how these two factors have changed…
DetailsCOVID-related travel and meeting restrictions don’t obviate the need for employee training. This article documents the four training options available for streaming media professionals from the Streaming Learning Center. I created the Streaming Learning Center to help train streaming media professionals, particularly those involved in encoding, packaging, and delivering streaming video. Initially, we offered books…
DetailsI recently received the following message from a colleague, a respected IP attorney, on LinkedIn. Hi Jan, hope all’s well. What do you make of Google joining HEVC Advance’s pool (now Access Advance)? Talking to some relevant players, I think it’s a prelude to Chrome supporting HEVC. Do you think it has any implications for…
DetailsDisplaying PowerPoint slide shows in a window comes in handy for presenting in webinars and for screencam capture. Like most of us out there, I’ve been using PowerPoint for about six thousand years. One feature I just learned, displaying slide shows in a window, comes in handy for two common use cases for me, presenting…
DetailsJust a quick note to celebrate the first review of my Encoding with the AV1 Codec course ($99.95). By way of background, I designed the course to help familiarize students with the confusing array of AV1 encoding parameters and to offer sample command strings that I have proven over weeks of testing. In other words,…
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