Here’s the class description; download link below. With the speed of technology today, one of the most important parts of software is adaptability. By taking control of your own encoding and packaging, you can greatly reduce cost and maintain high adaptability and agility to meet your needs now and in the future. When working with…
DetailsDynamic Packaging is a technique that can save encoding and storage costs for video producers that distribute two or more ABR formats, like DASH, HLS, Smooth Streaming, or even RTMP. In this interview, Softvelum CEO Yury Udovichenko discusses how his flagship product, Nimble Streamer, can deploy Dynamic Packaging for VOD, Live, VOD Remote HTTP Origin,…
DetailsHere’s the link to download: W4-key encoding skills Here’s the description. W4. Key Encoding Skills, Technologies, & Techniques Monday, May 6: 1:30 p.m. – 4:30 p.m. This session helps encoding professionals get up-to-speed on crucial encoding-related issues, technologies, and techniques. Topics include: Best high-level strategies for delivering to computers, mobile, smart TVs, and OTT (which ABR,…
DetailsHere’s the download: T20_Build_Free_Encoder_FFmpeg_Bento_short T202. How To Build A Free Encoder/Packager With Watch Folder Operation Using Open Source Tools Wednesday, May 8: 11:45 a.m. – 12:30 p.m. Open source tools like FFmpeg and Bento4 are used to build massive encoding farms for high-profile premium content services, but they also serve wonderfully as simple tools for smaller…
DetailsHere’s the description; download handout here. T103. A Survey Of Per-Title Encoding Technologies Tuesday, May 7: 1:45 p.m. – 2:30 p.m. Per-title encoding techniques customize the encoding ladder to match the encoding complexity of the source, saving bandwidth on easy-to-compress videos and ensuring the quality of more complex footage. Codec specialist Jan Ozer compares the efficiency,…
DetailsHere’s the description; download handout here. SME-2019 – FFmpeg Hardware VES101. Benchmarking FFmpeg’s Hardware Codecs Tuesday, May 7: 10:30 a.m. – 11:30 a.m. Hardware codecs in FFmpeg like those from Intel and NVIDIA deliver significant performance gains over x264/x265, but have a reputation for lower quality and use a completely different command set. This session benchmarks…
DetailsHere’s the description; link to the PDF is below: W1. Introduction To ABR Production & Delivery Monday, May 6: 9:00 a.m. – 12:00 p.m. This course helps those new to streaming media get familiar with the relevant terms, concepts, and technologies. The session begins with a definition of terms like codecs, container formats, and adaptive bitrate…
DetailsI was preparing for the codec discussion of my preconference sessions next week at Streaming Media East and visited www.caniuse.com to report codec availability. While I expected H.264 (96.96%) and VP9 (80.78%) to easily win, and they did, I was surprised to find AV1 availability at 32.46%, well ahead of HEVC at 16.71%. Digging into…
DetailsI’m preparing for my per-title presentation at Streaming Media East next Tuesday (presentation description below) and found some anomalous results for lower-resolution files produced by YouTube. I’m including YouTube in the analysis because I’ve always respected their work and for perspective vis a vis other per-title technologies that I’ll analyze (including Elemental MediaConvert QVBR, Capella…
DetailsA few weeks ago, I wrote about the VMAF Phone Model which measures VMAF score for viewers watching on a mobile phone. Since then, I gave a presentation at NAB on VMAF and ran some calculations comparing the phone and default models. I share those below. First, have a quick look at the three VMAF…
DetailsI’ve been asked for an update on the Sisvel AV1/VP9 pool situation; here’s what we know. Before beginning, as I wrote about here, I am working as a consultant with Sisvel during the launch. To recap, Sisvel announced their pool late March: Before signing on as a consultant, I wrote two articles for Streaming Media…
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