Here’s the class description; download link below. With the speed of technology today, one of the most important parts of software is adaptability. By taking control of your own encoding and packaging, you can greatly reduce cost and maintain high adaptability and agility to meet your needs now and in the future. When working with…
DetailsWould you design a SmartTV that couldn’t play UHD videos from YouTube? Me neither and designers from LG and Samsung apparently agree. I was researching codec support among smart TVs for upcoming training sessions at Streaming Media East and noticed that the 2020 version of the Samsung SmartTV supports AV1 decode. A quick search found an…
DetailsJust a quick announcement that the Alliance for Open Media has launched version 2.0 of the AOMedia AV1 encoder that you can download here. According to the Phoronix website, from which I grabbed this news: “Libaom 2.0 is the first release since the original 1.0 release back in mid-2018 after the AOMedia codec working group…
DetailsHere are descriptions of the two courses I’ll be teaching in a few days on streaming media production. Streaming Media East will be held online, with five 3-hour pre-conference training sessions that cost $199 each and a robust assortment of free 1-hour sessions. Here are the titles, dates, and times of the pre-conference sessions I’ll…
DetailsI created Streaming Media 101: Technical Onboarding for Streaming Media Professionals because there were few formal training resources for those producing streaming video or the tools and services that enable streaming media production and distribution. My goal was a course that would efficiently provide streaming media training to professionals on both sides of that fence…
DetailsStreaming media production and delivery has become even more critical over the last few months; here’s an opportunity to boost your skills and knowledge via live online training by recognized industry experts. I’m sad that Streaming Media East won’t be held in Boston as planned; I really enjoy those shows. However, Streaming Media East will…
DetailsOne thing that never gets old is a five-star review on Amazon. I just received another one for my book, Learn to Produce Video with FFmpeg: In Thirty Minutes or Less (2018 Edition), which is available on Amazon ($34.95) and for PDF download ($29.95). In this review from a verified purchaser, the customer said: “I…
DetailsI discuss the bandwidth savings delivered by VP9 and HEVC over H264 in my course Streaming Media 101: Technical Onboarding for Streaming Media Professionals. I wanted to illustrate this with my own tests, so I used FFmpeg to encode H.264, HEVC, and VP9 output using about 25 short test files. This felt like a good…
DetailsI just finished one consulting project that involved testing 22 clips with three codecs to produce nine rate-distortion charts per clip (1080p, 720p, 480p for VMAF, SSIM, and PSNR) and am working another with 35 clips with 4 RD charts each with two encoding modes. So efficient chart creation in Excel is now a huge…
DetailsIf you’re onboarding new hires in streaming media-related positions, you now have an affordable option for providing and monitoring that streaming-specific training. If you’re a professional seeking to upgrade your skills and gain accreditation, you have that option as well. Over the last few years, streaming media has become critical for entertainment and communications, with…
DetailsWe’re all aware of the sudden need to reduce streaming bandwidth to alleviate congestion. MediaMelon’s SmartPlay/QBR is a very viable option for this that was recently adopted by Brazilian OTT producer Telecine. I reviewed MediaMelon’s QBR technology for Streaming Media Magazine back in 2017. I called it a “server-side, per-title delivery mechanism.” Unlike traditional per-title…
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