Tag Archives: Choosing an encoder

The ideal streaming encoding tool should provide great quality, blazing performance, a discrete set of critical encoding parameters, and a range of other time-saving automation and input/output options. We all know the names—Adobe Media Encoder

I’ve been working with Sorenson Squeeze 7 for awhile now, and wanted to share my thoughts and experiences today, the day the software is officially released. If you have Squeeze 6.5 or earlier, the big question is whether you should upgrade or not, so I’ll address that first: The answer is a clear and concise “it depends.” If you’re looking …

My Squeeze 6 quality and performance review just appeared on the Digital Content Producer site. I looked at both Windows Media and H.264 quality, but not VP6 because Squeeze couldn't meet my data rate targets. More on that here. To see the rev

Sorenson Media recently released Squeeze 6. Here's a screencam review that I produced for Millimeter magazine. In a couple of weeks, I'll post a written article on Millimeter comparing encoding quality and performance of Squeeze 6 with previous vers

We’ve all heard about Sorenson Squeeze 6; this article contains an overview of the new features. Here are some other resources you can check for more in depth information. First is my video review of new features that you can see by clicking below. Next is a full review of Squeeze 6 encoding speed and quality comparisons, that you can …

I've been in London at Streaming Media Europe and gave two presentations which I've attached below. Here are the descriptions from the program.   Encoding H.264 Video for Streaming and Progressive Download   This semin

As streaming media enters its second decade, it’s not all that often that we get to explore a totally new topic. But now we do, as I recently took my first look at cloud encoding. What is cloud encoding? At a high level, it’s an intern

For VP6 and H.264 encoding, Telestream’s Episode Engine is fast and produces equal or better quality than most other streaming encoders. For those producing shiny optical discs, MPEG-2 performance and quality is also quite good. However, Win

Apple released the new Final Cut Studio today; what’s in it for streaming producers? Some nice workflow improvements, especially for producers of short-form content; for producers of long-form content, though, objects in the mirror may not be as close as they appear. More on that below. In terms of more mainstream uses, the big news includes Blu-ray output from within …

Dicas produces the H.264 codec used by Telestream in most (if not all) of their encoding products, including Episode Pro and Episode Engine. On June 11, 2009, Dicas announced a new quality enhancing algorithm called dicasVICO that the company clai