Here’s the link to download: W4-key encoding skills Here’s the description. W4. Key Encoding Skills, Technologies, & Techniques Monday, May 6: 1:30 p.m. – 4:30 p.m. This session helps encoding professionals get up-to-speed on crucial encoding-related issues, technologies, and techniques. Topics include: Best high-level strategies for delivering to computers, mobile, smart TVs, and OTT (which ABR,…
Here’s the download: T20_Build_Free_Encoder_FFmpeg_Bento_short. The video is below. T202. How To Build A Free Encoder/Packager With Watch Folder Operation Using Open Source Tools Wednesday, May 8: 11:45 a.m. – 12:30 p.m. Open source tools like FFmpeg and Bento4 are used to build massive encoding farms for high-profile premium content services, but they also serve wonderfully as…
Here’s the description; download handout here. T103. A Survey Of Per-Title Encoding Technologies Tuesday, May 7: 1:45 p.m. – 2:30 p.m. Per-title encoding techniques customize the encoding ladder to match the encoding complexity of the source, saving bandwidth on easy-to-compress videos and ensuring the quality of more complex footage. Codec specialist Jan Ozer compares the efficiency,…
Here’s the description; download handout here. SME-2019 – FFmpeg Hardware VES101. Benchmarking FFmpeg’s Hardware Codecs Tuesday, May 7: 10:30 a.m. – 11:30 a.m. Hardware codecs in FFmpeg like those from Intel and NVIDIA deliver significant performance gains over x264/x265, but have a reputation for lower quality and use a completely different command set. This session benchmarks…
Here’s the description; link to the PDF is below: W1. Introduction To ABR Production & Delivery Monday, May 6: 9:00 a.m. – 12:00 p.m. This course helps those new to streaming media get familiar with the relevant terms, concepts, and technologies. The session begins with a definition of terms like codecs, container formats, and adaptive bitrate…
I was preparing for the codec discussion of my preconference sessions next week at Streaming Media East and visited www.caniuse.com to report codec availability. While I expected H.264 (96.96%) and VP9 (80.78%) to easily win, and they did, I was surprised to find AV1 availability at 32.46%, well ahead of HEVC at 16.71%. Digging into…
I’m preparing for my per-title presentation at Streaming Media East next Tuesday (presentation description below) and found some anomalous results for lower-resolution files produced by YouTube. I’m including YouTube in the analysis because I’ve always respected their work and for perspective vis a vis other per-title technologies that I’ll analyze (including Elemental MediaConvert QVBR, Capella…
A few weeks ago, I wrote about the VMAF Phone Model which measures VMAF score for viewers watching on a mobile phone. Since then, I gave a presentation at NAB on VMAF and ran some calculations comparing the phone and default models. I share those below. First, have a quick look at the three VMAF…
I’m launching a new course entitled Encoding and Packaging for Multiple Screen Delivery. It’s an advanced course detailing how to create and configure encoding ladders using objective quality metrics like VMAF, packaging for DASH/HLS (both static and dynamic), CMAF, per-title encoding, and more. The course is designed for professionals who need to get up to…
My article How to Launch a Cloud Encoding Computer just posted on the Streaming Media Global site. Good thing, too, because I had just started a consulting project that required setting up and encoding on multiple AWS instances. Always handy to have a step-by-step guide, so I printed the article draft and went through it…