I’m teaching two boot camps (virtually) at an upcoming Streaming Media Connect event, one for VOD and the other for live streaming; each costs $199. The courses are designed for newbies who need to get up to speed quickly on these topics. If the courses sound familiar, I taught both courses at Streaming Media West…
Just a quick note to celebrate the first review of my Encoding with the AV1 Codec course ($99.95). By way of background, I designed the course to help familiarize students with the confusing array of AV1 encoding parameters and to offer sample command strings that I have proven over weeks of testing. In other words,…
I’m teaching two boot camps (virtually) at an upcoming Streaming Media University event, one for VOD and the other for live streaming; each costs $199. The courses are designed for newbies who need to get up to speed quickly on these topics. If the courses sound familiar, I did teach the same courses at the…
Recently I received a short list of compression-related questions from a consulting buddy; he’s always been gracious in answering my questions and I wanted to return the favor. Since he’s asking, I thought others might be curious as well; hence this blog post that largely incorporates my responses to his questions. Here are the questions:…
VVC is one of the three codecs to be launched by MPEG in 2020. I wrote about VVC extensively here (business side) and here (technical side), and wanted to provide some quick updates. By way of background, codecs have two sides, the performance side, and the business side. In this short article, I’ll address both.…
I’ve spent the last two months testing four AV1 codecs accessible via command-line arguments and I start testing VVC codecs next week. Trying to fairly and accurately test the capabilities of these codecs turned out to be a pretty grueling and messy task. The key challenge, of course, was creating the optimal command string for…
I’m teaching two boot camps (virtually) at Streaming Media West, one for VOD and the other for live streaming; each costs $199. The courses are designed for newbies who need to get up to speed quickly on these topics. Here’s the information for both. W1. Streaming Media Bootcamp, Part 1: Encoding, Packaging, And Delivery For…
Overview: When measuring video quality with metrics like VMAF you should measure and report consistency (transient quality and standard deviation) as well as mean quality. If you’re interested in the quality consistency of AV1 codecs and typical configuration options, you can attend a webinar ($149) or take a course on AV1 production that I will…
Jan Ozer here. I spent the last 2 months working with four AV1 codecs, benchmarking them against each other and x264 and x265. I’m presenting my findings in this for-fee 75-minute webinar ($149.99). There are two parts; the first shares what I learned about the codecs, and the second details what I learned about encoding…
Setting your I-frame interval in seconds rather than frames allows you to use one encoding string for files with varying frame rates, saving time and minimizing the risk of error. Author’s note: See a new section regarding a LinkedIn comment that this technique “interferes with the rate control mechanism of codecs.” I just finished a…