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Creating Flash-Compatible MOV files with Compressor

You’ve got an H.264-based MOV file that you want to use for Flash production, but it won’t load into Flash or Flash Catalyst. Can you simply change the extension from MOV to F4V? If you’re encoding the file, should you choose None, Fast Start or Fast Start – Compressed Header when producing for progressive download. Read on for the answers …

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x264Encoder vs the Apple Codec

If you’re looking for the highest quality H.264 output, and encode on the Apple platform, you should try the x264Encoder encoder, which you can download here. This article contains comparison images that accompany my comparison review for Digital Content Producer (link to come). This review debuts a new streaming test video comprised of clips from stock footage company Artbeats and …

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Producing H.264 Video

H.264 is the most widely used codec today, whether for streaming via Flash or Silverlight or for the Apple iPod, iPhone, and iPad product lines. If you’ve worked with H.264 before, the format is old hat for you. But if you’re cutting over from VP6 or Windows Media or expanding distribution to H.264-compatible devices, you’re faced with a learning curve. …

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WebM vs. H.264: A First Look

This article compares H.264 to WebM, Google’s implementation of the VP8 codec, using three variables (encoding time, compressed quality, and CPU requirements) for playback on three personal computers. Here’s the CliffsNotes version of the results: Using Sorenson Squeeze to produce both H.264 and WebM, the latter definitely took longer, but there are techniques that you can use to reduce the …

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VP8/WebM – A Collection of Resources

WebM/VP8 is Google’s recent entry into the codec market. Here’s a roughly chronological list of resources about the codec/technology. If you see any prominent articles that I’m missing, please let me know. Webm – an open web media project – Google site for WebM. The Moving Picture: Past Performance is No Guarantee of Future Success – (8/2/2010) – EventDV, by …

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The Moving Picture: Past Performance is No Guarantee of Future Success

Google recently open-sourced the VP8 codec for video on the web (for the key facts on this development, see Tim Siglin’s latest Streamline column). Should you care? Not so much, I’d say; Google’s recent launch of VP8 reminded me of a couple of theories that I hold dear, one current, one from long ago. The current one is that past performance …

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Apple Mac Pro – How Much Memory is Enough?

In the first edition of this month’s Affordable HD enewsletter, we keep the focus on the Apple Mac Pro, specifically analyzing the optimal memory configurations for editing and encoding with Apple Final Cut Studio, Adobe Creative Suite 4, and Telestream Episode Engine. I looked at several scenarios. Figure 1. The Apple Mac Pro’s memory tray. First, I tested performance at …

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Camtasia 7 Review

Camtasia has been my go-to screen recording application on Windows since forever, and I have at least 200 Camtasia recorded projects under my belt. But seldom, if ever, have I edited and produced my project in Camtasia, preferring the more familiar environs of Adobe Premiere Pro or Apple Final Cut Pro. To be brutally honest, in previous versions, Camtasia’s editing application, Camtasia Studio, felt clunky, inefficient, and frequently dysfunctional, …

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Review: Telestream Wirecast

There’s an old Hollywood joke with the punch line, “but I really want to direct.” I’m not sure what the actual joke is, or if it’s funny, but the reason I bring it up is that if you talk to writers, most would say, “but I really want to be on TV.” Certainly the web and websites such as Livestream …

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Interesting Video on Creating Video Case Studies

Just finished watching an interesting video entitled Video Case Studies – Top 10 Tips, which was produced by UK video producer Aspect Film and Video. You can watch it here, though you may need to sign in first. The top ten tips were (drumroll please): 1. Structure – have customer identify business challenge, then action you took, then beneficial results. …

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