Seawell and the future of Scalable Video Coding

I’ve been tracking Scalable Video Coding (SVC) for the last year or so and there’s been little tangible evidence of adoption. Recently Toronto-based Seawell Networks came out of stealth mode, but only barely, announcing that they are in the H.264 marketplace, but providing no product details. I met company CEO Brian Collie at a trade…

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Ogg vs. H.264 – a real world view

Xiph, Ogg and Crossing the Chasm When comparing Ogg Theora to H.264, most reviewers have focused solely on video quality. But that’s only a small component of what it will take for Ogg to achieve mainstream success. I just finished my first foray into encoding Ogg Theora and I have to say that I was…

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Ogg, MPEG-LA and Submarine Patents

A few weeks ago, I published an interview with MPEG LA CEO Larry Horn on the patent group’s decision not to charge for free content encoded with H.264. Then I got a note back from a reader who stated: I’m disappointed. The interview seemed to be pretty powder puff. Why not ask the harder questions,…

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Another Ogg to H.264 comparison

I recently posted an H.264 vs. Ogg comparison, which you can see here. https://streaminglearningcenter.com/articles/ogg-vs-h264—round-one.html I got lots of good feedback and am in the process of reworking my tests, primarily (I hope) to use a more recent codebase that wasn’t shipping when I did my testing. In the meantime, another comparison was released on February…

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Shooting for Streaming – Five Key Tips

Five best practices for producing high-quality video. Anyone who’s ever picked up a camcorder and tried to tap into their inner- Spielberg knows that there’s a lot more to creating a high-quality, impactful movie than turning on the camcorder and pressing the red record button. The same is true with producing video for streaming. Corporate…

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