Gave a presentation today to the Adobe Media Server Users group on choosing an enterprise encoder. To view the presentation itself, click here. You can download the 50+ page handout below. Here’s a description of the presentation. This session will discuss factors to consider when choosing enterprise video encoding systems from the likes of: Digital…
DetailsI guess for many producers, the title is akin to “there is no Santa Claus,” or “the Republican Party’s top priority is reducing taxes for the one-percenters who fund their PACs;” obvious facts, and just not news. On the other hand, for many other producers, confirmation that YouTube uses FFMPEG might mean that they should…
DetailsToday, Livestream announced that all tiers of service on the new Livestream platform will be available on a completely ad-free basis immediately, including the free version. The company also pre-announced a new tier of service that will enable of liv
DetailsWhen you configure a group of adaptive streaming files, you produce some files at relatively low data rates. With these files, you have several options to preserve quality, including lowering the resolution, the frame rate or both. Lower resolutions preserve frame quality but can look pixelated when scaled for display. Higher resolutions avoid scaling artifacts,…
DetailsOn Monday, Sorenson Media announced the immediate availability of Sorenson Squeeze Premium for $1,995. What is it and how does it fit into the Squeeze Product family?
DetailsYesterday Livestream announced the $8,500 Studio HD500, a luggable portable computer with five HD/SD SDI inputs and five video outputs with software providing real-time preview for all inputs, transitions, DDR playback, graphics overlay and a full au
DetailsIn separate announcements at IBC, Brightcove announced two new products from its recent acquisition of Zencoder — Instant Play and LIve Cloud Transcoding — and the availability of Widevine DRM encryption and packaging within its Video Cloud platfor
DetailsSo there I was, a chapter due on my next book on live streaming, and a column due for Streaming Media. Which to tackle first, I pondered.
DetailsThe streaming media encoding universe has evolved into a complex space with multiple, often intersecting markets. In this overview article, I’ll identify the most critical market segments and discuss one or two key products within each market.
DetailsQuality control software has been around for a while now; for an overview of the category and quick look at four entrants, check out “Quality Control Roundup: Catch the Mistakes Before They Go Live.” Producing files for adaptive streaming throws some
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