Amazon Transcoder; My Review (Meh!)

On one level, Amazon’s Elastic Transcoder is a finely-tuned service well crafted for the largest sweet spot of the cloud encoding market, Plain Jane H.264 transcoding. On another level, its a service that aimed low from an interface and usability standpoint, and clearly hit its mark. I’m used to the public side of the Amazon…

Details

Producing and Distributing HEVC

Here’s the description; click below to download the handout and access the sample files. This session explores the current status of HEVC, identifying options for encoding live and on-demand HEVC and discussing player options in the streaming and OTT markets. Topics include the comparative quality and usability of HEVC encoders, how HEVC quality compares to…

Details

Encoding for Multiple Screen Delivery

Here’s the session description. This session details the playback capabilities and technology compatibilities of desktop, mobile, and TV screens, and explores the technical issues and feasibility of producing one set of streams for all platforms, including how technologies like transmuxing and live transcoding simplify the overall distribution workflow. Click below to download the handout. The…

Details

Data Rates for HEVC Testing

A few weeks ago, I ran a survey to determine the average data rate used by video producers when encoding H.264 to 720p and 1080p resolutions. The thought was, once I knew this, I could encode using HEVC at the half the data rate and compare the quality to see if HEVC lived up to…

Details

More on MPEG LA HEVC Royalty Policy

My recent column, MPEG LA’s HEVC Licensing Terms Are Flawed, Will Prevent Adoption, has generated lots of comments in the LinkedIn HEVC/H.265 Group. One comment, from Anthony Mai, sparked a lengthy response, which I wanted to share. By way of background, I don’t like the proposed licensing terms for multiple reasons, including: – They don’t match…

Details