On Wednesday, February 3rd, 2016, Technicolor issued a press release stating that the company had decided to “license its HEVC IP portfolio directly to device manufacturers rather than through the HEVC Advance patent pool.” The release fu
DetailsJoicaster is a web-based live streaming syndication platform that takes a single live stream and pushes it out to multiple services, including YouTube Live, Ustream, and Twitch, as well as commercial sites. Joicaster is affordable, straightforward to
DetailsOn January 13th, 2016, I launched a survey to determine the bitrate control techniques most commonly used by streaming producers. Some preliminary results are in, but the number of respondents is too small to draw any conclusions. I wanted to publish the data to stimulate additional interest, and also announce that I am sweetening the pot…
DetailsLet’s face it. For-profit enterprises post videos, hold webinars, and produce virtual events to drive sales. How effective are these mediums for that purpose? There’s lots of positive anecdotal evidence, but where are the hard numbers?
DetailsThe Netflix blog post entitled Per-Title Encode Optimization boldly declares that “to deliver the best quality video to our members, each title should receive a unique bitrate ladder, tailored to its specific complexity characteristics.”
DetailsLate last year I ran a survey asking respondents to choose whether DASH or HLS was the best ABR format going forward. The poll results are in and are shown below. Basically, a small majority preferred DASH over HLS. The reasons why are even more illuminating, and are presented below the survey results. “Not sure…
DetailsThe recommended bit rate control technique for VOD files produced for adaptive streaming is one of the most fundamental decisions encoding professionals make, but in my view also one of the most confusing. If you scan the white papers on the topic, most recommend using constant bit rate (CBR) encoding to simplify the stream selection…
DetailsThe great migration from Flash to HTML5 is underway. For many producers, this means a switch from RTMP or HTTP Dynamic Streaming to a more HTML5-friendly format. Typically the choice comes down to either HLS or DASH. To help tease out the pros and co
DetailsJan Ozer FOR IMMEDIATE RELEASE Streaming Learning Center 276-238-9135…
DetailsWebinar on Content-Aware Encoding; January 26, 2016 at 2:00 PM EST. The ideal encoding ladder accomplishes two things-it creates great visual quality and uses the optimum amount of data, keeping audiences and finance happy at the same time. But what is the ideal encoding ladder? At one extreme, in its post Per-Title Encode Optimization, Netflix…
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