Here’s the description; download handout here. T103. A Survey Of Per-Title Encoding Technologies Tuesday, May 7: 1:45 p.m. – 2:30 p.m. Per-title encoding techniques customize the encoding ladder to match the encoding complexity of the source, saving bandwidth on easy-to-compress videos and ensuring the quality of more complex footage. Codec specialist Jan Ozer compares the efficiency,…
DetailsHere’s the description; download handout here. SME-2019 – FFmpeg Hardware VES101. Benchmarking FFmpeg’s Hardware Codecs Tuesday, May 7: 10:30 a.m. – 11:30 a.m. Hardware codecs in FFmpeg like those from Intel and NVIDIA deliver significant performance gains over x264/x265, but have a reputation for lower quality and use a completely different command set. This session benchmarks…
DetailsHere’s the description; link to the PDF is below: W1. Introduction To ABR Production & Delivery Monday, May 6: 9:00 a.m. – 12:00 p.m. This course helps those new to streaming media get familiar with the relevant terms, concepts, and technologies. The session begins with a definition of terms like codecs, container formats, and adaptive bitrate…
DetailsI was preparing for the codec discussion of my preconference sessions next week at Streaming Media East and visited www.caniuse.com to report codec availability. While I expected H.264 (96.96%) and VP9 (80.78%) to easily win, and they did, I was surprised to find AV1 availability at 32.46%, well ahead of HEVC at 16.71%. Digging into…
DetailsI’m preparing for my per-title presentation at Streaming Media East next Tuesday (presentation description below) and found some anomalous results for lower-resolution files produced by YouTube. I’m including YouTube in the analysis because I’ve always respected their work and for perspective vis a vis other per-title technologies that I’ll analyze (including Elemental MediaConvert QVBR, Capella…
DetailsA few weeks ago, I wrote about the VMAF Phone Model which measures VMAF score for viewers watching on a mobile phone. Since then, I gave a presentation at NAB on VMAF and ran some calculations comparing the phone and default models. I share those below. First, have a quick look at the three VMAF…
DetailsI’ve been asked for an update on the Sisvel AV1/VP9 pool situation; here’s what we know. Before beginning, as I wrote about here, I am working as a consultant with Sisvel during the launch. To recap, Sisvel announced their pool late March: Before signing on as a consultant, I wrote two articles for Streaming Media…
DetailsI just waded through another NAB’s worth of press releases. With depressing frequency, the first few graphs are filled with so much ancillary gobblygook that I often have no idea what the new product or service does after reading them. This invariably brings to mind the classic line from a bar scene in the movie,…
DetailsJust a brief note to let you know that I’ve signed on as a consultant for Sisvel regarding their launch of the AV1 and VP9 patent pools. What? Sisvel just announced patent pools on VP9 and AV1 and was aware that HEVC-related pools were controversial and were concerned about properly communicating its vision and goals.…
DetailsJust a quick note to let you know that I’ll be speaking at the NAB Streaming Summit on Using VMAF, Netflix’s Video Encoding Metric to Measure QoE. Description: Netflix uses video quality metric VMAF that combines human vision modeling with machine learning, to make automated encoding decisions in their per-title/per-scene encoding workflow. This presentation will…
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