The nice thing about DV is that when it arrived, it arrived alone, at least in the prosumer/consumer space, which was too price-sensitive for DVCAM and DVCPRO. There was analog and there was DV, and that was it. Unfortunately, new products have signi
DetailsThe problem with streaming video is well, um, streaming. To “stream” video, or deliver it on demand without interruption, you must compress it to low data rates that squeeze much of the quality out of the video. In contrast, all streaming video&mdash
DetailsStrong market forces are pushing for a standards-based resolution to the high-profile battle of proprietary streaming technologies pitting Apple’s QuickTime, Microsoft Windows Media Technologies, and RealNetworks’ RealMedia against one another. Broadcasters are seeking a unified standard that will allow them to use a single delivery method for both traditional programming and Internet offerings. Many publishers…
DetailsIt was a small, tastefully lit shop on the east side. The NC-terminal was strategically placed, towards the back, telephone cables barely visible. The price tag hung, like a war medal, over the monochrome terminal and sleek, designer keyboard. “Network Computer – $500 (monitor not included).” Candles and incense burned on the podium – I…
DetailsPlanning a new 3-CCD DV camcorder purchase? Wondering which one best suits your videography needs? You’re in luck—This review compares three new 3-CCD models built with videographers in mind. They’re all leading contenders for the current pro/prosumer crown: Canon’s XL2, Panasonic’s AG-DVC60, and Sony’s HDV-capable HDR-FX1. Read on for the tale of the tape. Few…
Details