So there I was, testing Adobe Creative Suite 4 (CS4)’s AVCHD compatibility. I created a simple project, about 4 minutes long, two picture-in-picture overlays with simple rotation and color correction. I had two eight-core systems: the Windows workstation, a 2.83GHz HP xw6600 running Windows XP (32-bit version) with 3GB of RAM, and a 3.2GHz Mac…
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DetailsOK, I’m guessing that you don’t come here for tips on cross-platform editing between Final Cut Pro and Premiere Pro Windows, but here’s a piece of news you may find useful.
By way of background, one frustration I’ve always had with the Final Cut
A rant about MPEG-LA's continued lack of transparency about H.264 royalties.
DetailsIf you’re buying or configuring a computer for CS4, either on Mac or Windows, you should check out this Affordable HD article at Digital Content Producer, here. The article compares single and dual processor performance at various RAM levels on both
DetailsI’ve never been a big fan of 64-bit operating systems, but some recent comparative trials with Adobe Media Encoder and Premiere Pro showed that 64-bit computers – both Windows and Macintosh — had a huge advantage over 32-bit Windows. If you’re in th
DetailsSo, you’ve been shooting in high definition for a while now, and you
are ready to start posting HD sample clips on the web that actually
reflect the quality of the footage you’re capturing in your camera and
editing in your NLE. You ha
With the CS4 upgrade introduced in Q4 2008, Adobe
patched some necessary feature gaps (think AVCHD), supercharged the CS4
Production Premium creative workflow (think more Dynamic Link), and
launched several new groundbreaking features (think audio
As you’ve undoubtedly heard, Adobe Creative Suite 4 (CS4) Production
Premium delivers some awesome productivity benefits, particularly the
ability to send Premiere Pro sequences to both the Adobe Media Encoder
(AME) and Adobe Encore for rend
This article illustrates when and where you can optimize quality by shooting in progressive rather than streaming mode.
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