Rhozet Carbon Coder 3

“Impressive” turns out to be a good adjective for the version 3.0
update in general, which significantly improves an already highly
competent product. Rhozet has made several useful
streaming-codec-related improvements, enhanced watch-folder
func

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Flash vs. Silverlight

http://www.streamingmedia.com/article.asp?id=11290Flash and Silverlight can play multiple roles within an
organization, so let’s start by identifying those. First is the
video-player role. For example, if you want to add video to an existing
websi

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Comparing and Using Online Video Codecs – StreamingMediaEast 2008

This workshop focuses on comparing the quality, playback environment, and feature sets of the big three codecs (VP6, H.264, and Windows Media), including a comparison of the primary H.264 codecs including Apple, Main Concept, Telestream, and others. Attendees will also get an introduction to universal encoding parameters, like variable and constant bitrate encoding and I, B, and P frames, and then learn the technical requirements for producing files with each codec. During the final hour, the workshop will analyze which sub-$1,000 encoding tools do the best (and worst) jobs with each format.

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Setting Up Dual-Monitor Editing for Premiere Pro

Dual-monitor editing stations used to be exotic, expensive, and hard to set up and maintain. Today, with virtually all new graphics cards offering dual-output ports, flat-panel monitors priced well below $300, and rock-solid support in Windows XP and popular prosumer NLEs like Adobe Premiere Pro, building a dual-monitor station is both financially and technically within…

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Encoding for the iPod

Many videographers are creating iPod-compatible files for clients or for posting as demo files on their websites. You would think that with a gazillion iPods sold, the process of getting video onto an iPod would be very straightforward. Well, there’s straightforward, and then there’s straightforward. If you’re a soccer mom showing off vacation videos, your…

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