A leading expert on H.264 encoding for live and on-demand production, and as contributing editor to Streaming Media Magazine, has tested most cloud, enterprise and desktop encoding tools, worked with most online video platforms (OVPs) and live streaming services, and many webcast platforms.

Survey: CBR, VBR, or Other for ABR Streaming

The recommended bit rate control technique for VOD files produced for adaptive streaming is one of the most fundamental decisions encoding professionals make, but in my view also one of the most confusing. If you scan the white papers on the topic, most recommend using constant bit rate (CBR) encoding to simplify the stream selection…

TN2224 is Dead. Welcome to the New Era of Content-Aware Encoding

The Netflix blog entitled, Per-Title Encode Optimization, boldly declares that “to deliver the best quality video to our members, each title should receive a unique bitrate ladder, tailored to its specific complexity characteristics.” In a world where many companies simply deploy Apple’s recommendations from TN2224 without modification, it’s a breath of fresh air. The blog…

Post Streaming Media West Interview on Viblast Blog

Viblast is the European developer of the Viblast player, an off-the-shelf player that enables the playback of HLS and DASH streams without Flash. A recent winner of a European Streaming Media Reader’s Choice award, Viblast is an up and coming company in a very hot market (transitioning from Flash to HTML5). I’m flattered the Nora…

Live Encoding and Transcoding Techniques

Here’s the description, click below to download the handouts. Live event transcoding used to be simple: you did it all in-house and you needed capacious outbound bandwidth, all of which cost a fortune. Now there are more live encoding schemas than you can shake a stick at, including live cloud transcoding and packaging from traditional…