A leading expert on H.264 encoding for live and on-demand production, and as contributing editor to Streaming Media Magazine, has tested most cloud, enterprise and desktop encoding tools, worked with most online video platforms (OVPs) and live streaming services, and many webcast platforms.

ProRes on Windows

OK, I’m guessing that you don’t come here for tips on cross-platform editing between Final Cut Pro and Premiere Pro Windows, but here’s a piece of news you may find useful.
By way of background, one frustration I’ve always had with the Final Cut

Adobe CS4 at 64

As you’ve undoubtedly heard, Adobe Creative Suite 4 (CS4) Production
Premium delivers some awesome productivity benefits, particularly the
ability to send Premiere Pro sequences to both the Adobe Media Encoder
(AME) and Adobe Encore for rend