I’ve been working with Sorenson Squeeze 7 for awhile now, and wanted to share my thoughts and experiences today, the day the software is officially released. If you have Squeeze 6.5 or earlier, the big question is whether you should upgrade or not, so I’ll address that first: The answer is a clear and concise…
I shoot pretty much exclusively in HD now, but often render to SD DVDs. When it comes to choosing a sequence preset for Premiere Pro, I have two options, native HDV, which is the format that I typically shoot in, or 720×480 widescreen to match my DVD output. Which is better? Well, the quality difference…
Here’s a video that I produced for OnlineVideo.net on the subject. Note that it looks absolutely fabulous in full screen (if I do say so myself) so give that a shot.
Enjoy!
This is a video that I produced for OnlineVideo.net on the subject. Here’s the description. In this video evaluation, Jan Ozer looks at and evaluates five popular WebM encoders: Miro Video Encoder Firefogg Wildfrom Flix WebM Telestream Episode Pro Sorenson Squeeze 7 You’ll learn why some are quite good and others aren’t worth your time. Ozer…
Whenever I shoot a live performance, I have an internal debate about which functions to perform manually and which to let the camera perform. Obviously, the panning and zooming is my job; the question is whether I also take on focus and/or exposure. I shot my fifth Nutcracker season just before Christmas, which adds up…
This is an excerpt from my commentary, “Welcome to the Two-Codec World,” which you can read at StreamingMedia.com. Back when Google closed on the On2 acquisition, I wrote a blog post entitled Google Closes On2 Acquisition – Better check your Wallet. The wallet reference related to the fact that Google donating VP8 to the open…
This is an excerpt from an article I wrote for StreamingMedia. Even if you don’t believe all the hype about HTML5, sooner or later, you’ll need to start encoding some video to WebM format. Maybe for internal experimentation, for a pay-per-view or subscription project (where H.264 may incur royalties), because you’ve decided to jump into…
An article that I wrote on producing for adaptive streaming just posted at StreamingMedia.com. The article focuses on nitty gritty encoding details, like data rates, key frame intervals and the like. To write the article, I spoke with multiple producers, including MTV, Turner Broadcasting, Harvard and the Microsoftie in charge of NBC’s Olympics and Sunday…
The VP of emerging media for Turner Sports talks about the network’s delivery of the PGA Championship online, as well as the benefits of HTTP streaming and the implications of HTML5 video
Adaptive streaming is a hot topic for most streaming producers. If you produce your files with Adobe Media Encoder, you should know that Adobe has provided seven downloadable presets that you can use as a starting point. Click here to go to the download page. You install the presets by manually copying them into…