A leading expert on H.264 encoding for live and on-demand production, and as contributing editor to Streaming Media Magazine, has tested most cloud, enterprise and desktop encoding tools, worked with most online video platforms (OVPs) and live streaming services, and many webcast platforms.
Last week, at my session Producing a Webcast from Soup to Nuts at Streaming Media East, Lowel Light Inc. was kind enough to loan me a Lowel TRIO light kit. I was looking for a light kit that I could setup in minutes, with focusable lights that I could use to demonstrate a number of different…
My online course, Video Compression for Web, Disc and PC/TV/Console Playback has been live on Udemy for a couple of months. After two quick five-star reviews, a third has finally come in from Daniel Suarez, as shown below. Thanks, Daniel! Interesting that you should ask about this, as I’ll be adding Adobe Media Encoder-specific modules to the…
So you’re streaming a live event at some off-site location and you’re wondering what hardware or software to buy to encode the video to send to your streaming server. Well, you’re in the right place, because that’s the subject
From my perspective, Apple Technical Note TN2224 is the Rosetta Stone of adaptive streaming, a document that translates multiple factors into concrete recommendations that should be considered by all producers streaming to Apple Devices. Which is to
Let me be up front about this. Vidizmo EnterpriseTube is the first corporate YouTube product that I’ve reviewed. So if you’re looking for a comparative analysis detailing how the product stacks up with other options, this, unfortunately,
There’s a lot of interest in ultra-high definition (UHD) video, and the two codecs that drive it, HEVC and VP9. Over the past few months, a new UHD codec called Daala has also come to the fore. I wanted to take this opportunity to update the st
Here’s the description: This session explores the current status of HEVC, identifying existing and announced options for encoding live and on-demand HEVC, and discussing player options in the streaming and OTT markets. Topics explored will include the comparative quality and usability of HEVC encoders, how HEVC quality compares to H.264 at a range of resolutions…
Back in 2009, when HP shipped new workstations powered by the Nehalem line of CPUs, the performance boost was so significant that they instantly rendered obsolete workstations based upon previous architectures. Now that Intel has launched Ivy Bridge-
Lots of excellent articles on DASH recently; I’m trying to summarize them for a presentation on Multiple Screen Delivery at Streaming Media East. The table below is my attempt to do so, and to compare how easily one can implement DASH as compared to HLS. I’m looking at the three platforms (desktop, mobile and OTT),…
Most seasoned compressionists know that you can’t have high-quality streaming media without quality audio and video. In honor of our production issue, I thought I would list the production techniques that can make or break audio and video quali