A leading expert on H.264 encoding for live and on-demand production, and as contributing editor to Streaming Media Magazine, has tested most cloud, enterprise and desktop encoding tools, worked with most online video platforms (OVPs) and live streaming services, and many webcast platforms.
Total Webcasting is a webcasting service provider out of New York that produces dozens of events a month, and thousands since its inception in 2007. Total Webcasting is unique in that it produces virtually all events for its customers, while owning the streaming server and content management system used for live and on-demand delivery, providing the…
There has been lots of discussion about how onerous the content royalties proposed by HEVC Advance are for streaming distributors. In this article, I analyze the impact of those royalties on HEVC adoption and usage using two models, the M-Go model, for single movie rentals, and the Netflix model. Surprisingly, when you consider the bandwidth…
Just a quick note regarding an article in Streaming Media Magazine that you should read entitled, An Unhappy Surprise: MPEG LA Is Forming a Patent Pool for DASH. As the article details, we’ve known for a long time that the Dynamic Adaptive Streaming Over HTTP (DASH) standard may include licensable IP. However, it’s been years since…
I’m researching an article that involves the future of Flash, so started searching for articles on the most recent Mozilla-related Flash flap. I noticed that Wired had an article dramatically entitled Flash. Must. Die. You can guess the rest of the story-when I clicked over to the article, a Flash-based advertisement popped up. This “do as…
Total Webcasting is a webcasting service provider out of New York that produces dozens of events a month, and thousands since its inception in 2007. Total Webcasting is unique in that it produces virtually all events for its customers, while owning the streaming server and content management system used for live and on-demand delivery, providing the…
One of the nice things about the streaming industry is that many folks will share their knowledge with you if you ask a quick question on a subject they are passionate and knowledgeable about. So it was with a question I asked of Alex Zambelli, now with iStreamPlanet, and formerly with the Microsoft team that…
Shoot and edit a lot of video on your iPhone and iPad? Want to transfer the project over to your workstation for completion? If so, in this tutorial I demonstrate how to use Adobe Premiere clip to start video production on your iPhone or iPad and the
HEVC Advance shook up the codec world when they announced proposed royalty policies in July, 2015, that included much higher hardware royalties then MPEG LA is seeking, without a cap, as well as royalties on content. In this article on streaming media.com, I analyze the proposed licensing terms and attempt to predict real-world numbers for…
Flash has been getting lots of bad press lately, some deserved, some not. Is it time to abandon Adobe’s long-in-the-tooth technology? Well, judging from the title an article I wrote that recently appeared on Streaming Media, HTML5 Comes of Age: It’s Finally Time to Tell Flash Good-bye, you would think so. Funny thing, though, editors…
HEVCAdvance is the second HEVC patent group comprised of GE, Technicolor, Mitsubishi, Philips, and Dolby, which I wrote about in detail for Streaming Media in New HEVC Patent Pool: What Are the Implications? Last week, the group issues a proposed royalty schedule to much negative fanfare. Here’s the schedule for hardware for Region 1, which…