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Best SVT-AV1 Bitrate Control Technique for Live Streaming

There are four bitrate control techniques worth considering for live encoding/transcoding using the SVT-AV1 codec. These are: Capped CRF VBR Capped VBR Constrained VBR Here’s what I found: Overall: Capped CRF shows promise with significant bitrate savings, good quality retention, and the best overall performance by ~10 – 25% (meaning more streams from the same hardware). VBR was generally the …

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Streaming Media 101: “I was Amazed at How Much I Learned”

A recent review from The Ohio State University’s Derrick Freeman highlighted what he learned from Streaming Media 101. Below is his review, which I’ve chopped up into bullet points. “I just recently earned my certificate from Jan Ozer’s “Streaming Media 101: Technical Onboarding for Streaming Media Professionals” e-learning course at Streaming Learning Center. I was amazed at how much I …

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Codec Royalties on Content and the Jaws Moment

I was raised in a beachfront commuter town about 60 miles south of Manhattan and five miles north of Springsteen’s Asbury Park. I went to Seashore Day Camp years 8-13, swimming laps in the pool each morning and clowning around in the ocean each afternoon. I spent middle school and high school in the Atlantic as often as possible, swimming, …

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Telestream Resurrects encoding.com’s Global Media Format Report

Telestream resurrects encoding.com’s Global Media Format Report to provide valuable data on codec usage and other production details.  For years, encoding.com’s Global Media Format Report provided a key set of data points on codec usage and other topics from the prior years encoding production. Since encoding.com was the first and remains one of the largest cloud encoding providers, this data …

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Video Codec Quick Reference Guide

This article provides a quick reference for video codec details from H.264 to LCEVC, excluding EVC, because so little progress has been made on productization. Codec Overview Starting at the top, the year released emphasizes how long H.264 has remained the dominant codec, as evidenced by ReThink’s 2023 usage rate of about 72%. Browser penetration, as measured by CanIuse, is …

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Streaming Learning Center Goes Mobile

Man learning on his mobile device

Just a quick announcement to let you know that if you’re taking a course on the Streaming Learning Center, you can now access lessons via a mobile app. By way of background,  we use a learning management system called Thinkific to host all Streaming Learning Center courses. Thinkific recently launched its new mobile app for iOS and Android that we …

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B-Frames, Ultra Low-Latency Encoding, and Parking Lot Rules

One of my sweetest memories of bringing up our two daughters was weekly trips to the grocery store. Each got a $5.00 bribe for accompanying their father, which they happily invested in various tchotchkes that seldom lasted the week. When we exited the car, “parking lot rules” always applied, which meant that each daughter held one of Daddy’s hands for …

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The Correct Way to Choose an x264 Preset

To choose the optimal x264 preset, you have to balance encoding and distribution costs. This article shows you how.  Over the last few years, I’ve used the first chart below to represent the tradeoffs associated with different presets and help readers (or listeners) choose a preset. To create the chart, you encode your test files to standard parameters using all …

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Defining Transcoder, VPU, and VCU

An image of a chalkboard defining VPU as a device that decodes, encodes, scales, overlays, and has AI capabilities.

A woman walks into a bar and asks, “I’ll have two video transcoders, please.” Bartender says, “We don’t carry transcoders; we have VPUs. Will they do?” The woman scratches her head and says, “hmm, I don’t know.” Do you? If not, you’re in the right place. This short article will briefly define transcoder, VPU, and VCU, and get you in …

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How to Build an Encoding Ladder: What You Need to Know

Learning how to build an encoding ladder is one of the most fundamental tasks for a streaming media professional. It’s astounding how much you need to know to get it right. By way of background, the original encoding ladder used by most professionals was from Apple Tech Note TN2224, long since replaced by Apple’s HLS Authoring Specifications. This H.264-only ladder …

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